Before Eva Li found herself working with fashion houses like Louis Vuitton, artists like Justin Bieber, and companies like Spotify, she was toiling away on a documentary about yum cha. That film, a meditation on Cantonese culture and her family’s heritage, formed Eva’s honours project for the Bachelor of Design (Honours) following her graduation from the UTS Bachelor of Design in Visual Communication. It was also the first step along a creative road she’d never expected to travel.
Now a freelance director and producer who works between Sydney and Seoul, Eva had always imagined that she’d wind up working in graphic design. But when she enrolled in the Bachelor of Design in Visual Communication, which spans everything from graphic design, motion design and user experience design to animation, illustration and videography, she realised that her design future could be just about anything she imagined.
“The course itself, the whole four years, was really good in providing foundations for wherever your career might take you. Whether it’s doing layout design or typography, print work or digital work, it’s such a good basis to build off,” she says.
“It really gives you a broader sense of how visual communication can be applied to various industries and communities. It's more of a gateway to working through your likes and dislikes to find the best pathway for yourself.”

One skillset, endless possibilities
For Eva, that pathway led straight into a role as a creative producer at Babekühl, a Sydney-based creative studio. It was an opportunity that mirrored her UTS experience — rather than being tied into a single discipline, she found herself working on design, installation and production projects that leveraged the best of her visual communication expertise. It also brought her up close with some of the world’s biggest names: among her many projects, she worked on animated music videos for Sam Smith’s The Lighthouse Keeper and for a collaboration between the Free Nationals, Mac Miller and Kali Uchis called Time.

“It was a really good first studio job because the people I worked with, my mentors, were open to anything. We were collaborating all the time and just trying things, experimenting. I learned so much — animation, motion graphics, everything that pushed me forward into creative production,” she says.
In 2022, looking for a change of scene, Eva moved to Seoul. Asia’s vibrant creative scene wasn’t new to her; during her UTS degree, she’d done a summer course in Beijing, working with her peers from both UTS and Tsinghua University to produce human-centred design concepts that could support China’s ageing population.
In Seoul, Eva found her place at a creative agency that continued to foster her interests in photography, videography and art direction. Bolstered by the city’s vibrant design culture, she leapfrogged her way onto a series of huge, high-profile projects; before long, she was producing global fashion campaigns for companies like LVMH, Gucci, COS, and Tom Ford. She also continued growing her expertise in video production by contributing to music videos for artists like Hwasa and Code Kunst.
“It was quite surreal. Doing all of that and really learning on the job, I think that really got me to where I am today,” she says.
No friends like old friends
Since she officially went out on her own as a freelance director and producer just a few short months ago, Eva has been working almost non-stop between Sydney and Seoul, the two cities that have most shaped her design career. To date, she’s directed an editorial shoot for a sports brand and assistant directed a fashion campaign, although she’s keeping her clients’ names close to her chest until the projects are released later this year.
Her success to date is, she says, largely the result of the extensive networks she’s built during her rapid ascension through the industry. Now, those same networks, which include some of her old UTS classmates, have become the lifeblood of her freelance business today.
“We're all now doing such expansive, interesting work beyond our degrees,” Eva says.
“Building that network has taken a long time, but it doesn’t feel like I’m trying to network. They’re all just friends — and it’s been really nice to work with friends again.”