I am a design theorist and researcher whose work focuses on the experiential dimensions of technology, materials and spaces. I am particularly concerned with the distinctive feelings and forms of networked, consumer oriented culture that characterise life in wealthy democracies after WWII. This includes the massive proliferation and diversification of leisure oriented experiences associated with music, food and exercise.
My research practice and output aims to translate diverse and sometimes abstract perspectives from philosophy and theory into insights that readily mesh with research questions more specifically relevant to academic design practitioners and design research units.
I have extensive teaching experience within the university and industry helping designers refine and communicate the key concepts in their work, including communication projects with leading design thinking consultancies.
I am currently working on a research projects with Berto Pandolfo on innovative object design in small batch production, Zoë Sadokierski and Centennial Parklands Trust looking at the role design and narrative can play in communicating matters of ecological concern, Craig Walker Design and Innovation on the future of postgraduate design education.
2016 Postgraduate Futures Associate
2015 UTS Learning and Teaching citation
2014 UTS First Year Experience Award
2014 Marten Bequest Travelling Scholarship
Contemporary aesthetic theory (Peter Sloterdijk, Sianne Ngai, Steven Connor)
The poetics of place
Industrial and postindustrial society and the history of emotions
The material imagination
Science and technology Studies
Data and design
Contemporary aesthetic theory
History of technology
Lee, T.M. 2018, 'Sense, substance, fruit: Examining poetic descriptions of how people experience fruits as input for design considerations', International Journal of food Design, vol. 3, no. 1, pp. 3-19.View/Download from: UTS OPUS or Publisher's site
This article discusses the intimate sensory relations between humans and fruit. It articulates a view that the dynamically interrelated characteristics of microstruc- tural complexity, sweetness and extreme malleability make the experiential dimen- sions of fruit distinctive in anthropological experience. The article draws on the work of Steven Connor for theoretical support. Particular focus is given to his concept of 'senstance', which emphasizes the important role substances have in the human imagination, and inversely, the way imagination allows humans to make explicit the seductive but often obscure properties of substances. It proposes Connor is a worthy inheritor of the place held by thinkers such as Roland Barthes and Gaston Bachelard, whose work has been an enduring influence for design theorists and historians. Fruit-focused examples from poetry, art and design are discussed with the view of elaborating a suitably rich and multifaceted account of the anthropological importance of this mundane but pervasive thing.
Lee, T.M., Walden, R., Lie, S., Pandolfo, B. & Lockhart, C. 2018, 'Design Research Units and Small to Medium Enterprises (SMEs): An Approach for Advancing Technology and Competitive Strength in Australia', The Design Journal.View/Download from: UTS OPUS or Publisher's site
ABSTRACT This paper makes the case that small to medium enterprises (SMEs) in the manufacturing sector have the potential to benefit from connections with design research units operating within universities. It points out some of the challenges associated with research and development for SMEs, and argues design research units can allow SMEs to better meet
these challenges. Additive Manufacturing is used as an exemplary emerging technology that makes explicit the new possibilities and instability of the contemporarymanufacturing landscape. A case study is used to articulate
the potentials and limitations of industry and university partnerships in design. In conclusion, two alternative models are analysed in order to highlight different ends to which the practitioner-based research can be put.
This paper showcases insights derived from the work of Steven Connor, Peter Sloterdijk, and Sianne Ngai, thinkers who give particularly provocative accounts of why the meanings of work and play have changed in the late twentieth century and the way these changes can be read through specific, exemplary objects or services. Following the work of these thinkers, it interprets the relationship between work and play as characteristically dynamic and argues that in cultures where pleasure, fun, and leisure become abundant, the affects associated with these experiences also change. The intent is to provide a suggestive introduction to the work of Connor, Sloterdijk, and Ngai, and do some initial sorting of ideas for subsequent design-focused research. For design practitioners, this article will be useful for the insight generating and discovery phases of the design process. From a design studies and theory perspective, my argument is that the work of these thinkers should sit alongside cultural theorists and philosophers who are more routinely referenced in this field, such as Walter Benjamin, Roland Barthes, and Jean Baudrillard.
Lee, T. 2016, 'You Must Change Your Life by Peter Sloterdijk, Trans by Wieland Hoban (Cambridge, MA: Polity Press, 2013), ISBN: 9780745649214, 500 pages, hardcover ($23).', Design Issues, vol. 32, no. 1, pp. 96-97.View/Download from: Publisher's site
This paper is an introduction to the work of Steven Connor and Sianne Ngai, two theorists who make contrasting and complementary efforts to think critically about a number of resilient biases in contemporary aesthetic discourse. I argue that the work of these two thinkers is united by a more or less explicit effort to generate argumentative friction from questioning two key strands of thought within aesthetic theory of the past 200 years: the centrality of the sublime and the beautiful, and the idea that the discriminatory power of the distance senses, particularly vision, justifies their centrality in aesthetic theory.
In his book Last Landscapes (2003), Ken Warpole notes that, for a number
of reasons, cemetery architecture is the most conservative aspect of the institutions
and practices surrounding death and memorialisation in the West. This is starting to
change, with designers and architects responding to the groundswell of sentiment
demanding that we moderns modernise our ceremonies and associated institutions.
In the following essay, I look at the different demands and opportunities in urban and
rural cemetery design, and focus on the multifunctional roles that cemeteries have
played in the past and might yet play again.
This essay is the meeting place of previous work on paddock architecture in the
Australian landscape and a recent project looking at death and the landscape.
I am interested in the ways that design might respond to the nexus identified by
the German philosopher Peter Sloterdijk as 'reactionary religion and progressive
technological medicine' (2013: 421), which can bar the possibility of a dignified
death and a dignifying place for the dead among the living. This doesn't mean a
return to the ostentation of Victorian mourning rituals or adopting the 'death as
party' practices of Ghana or Mexico—which isn't to say we can't learn anything from
these. Instead, the task seems to be finding a way to give meaning to the values of
specific lives and the contexts in which they are embedded, and to provide better
support structures (both material, atmospheric and symbolic) for those who gather
around the absence created by the departed.
Knowledge has no proper homeland. It is scattered among disciplines and genres. A novel is filled with events, described in a particular manner, which might be translated into objects of scientific worth. Science makes new discoveries that find their way back into literature. Philosophy questions starting points and adds nuance to grey areas between disciplines. Science contributes to philosophy's repertoire of relevant ideas. This article is an effort to account for the dynamism and complexity of the relationship that exists between differing kinds of knowledge. It uses an essayistic form of narration to pull together contrasting examples that suggest hard and fast distinctions between subject and object tend to provoke misleadingly abstract descriptions of place. The specific place under investigation is a farming property in rural New South Wales. It has played a significant part in the author's perceptual history. Burrs and burrows are two of its key features.
Since the late 1990s, W. G. Sebald's innovative contribution to the genre of prose fiction has been the source of much academic scrutiny. His books Vertigo, The Rings of Saturn, The Emigrants and Austerlitz have provoked interest from diverse fields of inquiry: visual communication (Kilbourn; Patt; Zadokerski), trauma studies (Denham and McCulloh; Schmitz), and travel writing (Blackler; Zisselsberger). His work is also claimed to be a bastion for both modernist and postmodernist approaches to literature and history writing (Bere; Fuchs and Long; Long). This is in addition to numerous 'guide to type books, such as Mark McCulloh's Understanding Sebald, Long and Whitehead's W. G. Sebald—A Critical Companion, and the comprehensive Saturn's Moons: A W. G. Sebald Handbook. Here I have only mentioned works available in English. I should point out that Sebald wrote in German, the country of his birth, and as one would expect much scholarship dealing with his work is confined to this language.
Lee, T.M. 2018, 'Eccentric Guides: Vanessa Berry's Mirror Sydney', Sydney Review of Books.
The internet has allowed the familiar yet alien perspectives of other city users to become easily and widely shared in the form of photographs and writing. People have always kept records of place. Now these records can be shared more widely and quickly than ever before. Instagram has an active and diverse community of users (of which Berry and I are both part) preoccupied with alternative views of Australian cities (see: @lord_fry, @the_coburg_plan, @the_northern_delights, @innerwest, @sublurb, @redbrick sydney, @urban_schnapps, @ezekieldyer, @gritpix, @oncewereshops, @housesofsydney, @theaustralianugliness @kirstenseale, @matte_rochford). Blogs such as Spitalfields Life, Newtown to North Melbourne, Melbourne Circle, Vanishing New York, Places Cities Encounters , The Australian Ugliness and 150 Great Things about the Underground, make public everyday records of human life, viewed through the prism of a specific location or theme.
Lee, T.M. 2016, 'Lost Landscapes of Waterloo', Sydney Review of Books, Sydney.
An essay on the aesthetics of post industrial suburban Sydney and the poetics of place, with a focus on the Waterloo and Botany areas.
A collaboration between writer Tom Lee and writer/designer Zoë Sadokierski, documented over ten months and visualised as a series of published books, artist's books and lectures.
'Words from the First Walk' explores three different perspectives of the same walk at 'Coorah', a sixth generation family farm in central west New South Wales. Poet and essayist Tom Lee, whose ancestor William Lee first arrived in the district in 1818, led the walk. His writing about contemporary Australians' relationship to the land has been published in Environmental Humanities, Rabbit, Overland Magazine and Southernly Journal. Two of Tom's essays about Coorah are presented in the catalogue. Zoë Sadokierski is a designer and researcher. In this exhibition, her collages, etchings, drawings and books respond to a passage from Murray Bail's novel Eucalyptus which links paragraphs to paddocks, and publishing to farming. These works are a form of text analysis, through design practice. Photographer and researcher Jacqueline Lorber-Kasunic builds on her doctoral thesis `Receding visions of pastoral idyll: An ethnographic and photographic study of marginal farming in the Maranoa', to tell a different kind of story using the landscape as visual evidence of custodianship and change, through a photographic essay. The collaboration is an ongoing one for Tom and I; we have been working together as writer and designer on private projects since 2009. This is our first public work.
Lee, T.M., 'How art merges with maths to explore continuity, change and exotic states: A Review of Kate Scardifield's 'Soft Topologies'.'.
Craig Walker Design and Innovation