Finney, T.L. & Reinmuth, G. 2013, 'Agency, Redirected', Designing/ Education: 7th International Conference of The Association of Architecture Schools of Australasia, Melbourne, October 2013 in Designing/ Education: Proceedings of the 7th International Conference of The Association of Architecture Schools of Australasia, ed Ramirez-Lovering, D; Alexander, J; Fairley, A., The Association of Architecture Schools of Australia, Melbourne, pp. 406-425.
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In response to changes in both the practice of architecture and changes in terms of architecture+s field of operation: the global economic, political and cultural context of its production, the following paper proposes to re-examine the inherited unit system of the graduate educational M.Arch design studio. Contrary to `alternate modes of practice' that propose in critiquing the profession, an abandonment of the discipline of architecture, this paper instead calls for a clarified return in the educational context to architecture's core material and spatial skill set redirected relative to the animating diagrammatic condition that since the 19th century has relied on architecture+s capacities in material and organizational experimentation to build cities.
Finney, T.L. 2009, 'The Architecture of Academic Research: Symposium', Customs House, Sydney, October 2009.
This symposium offers architects, academic leaders and project and facility managers a chance to critically and collectively debate the successes and challenges of the rich catalogue of recently completed academic research buildings in Australian universities. The focus of invited presentations and open discussion will be the following two contentions: Only those facilities addressing multiple scales from the urban to the individual work station can realize the strategic aspirations of the contemporary university; and There are crucial moments in the process from procurement to occupation when the strategic vision for a building is at greatest risk and must be clarified and reasserted. Australian projects by John Wardle Architects, Design Inc, Lyons, Lahz Nimmo and Woods Bagot will be discussed at the symposiu, along with leading international exemplar projects such as Clark Centre at Stanford University.
Finney, T.L. 2008, 'The Question of the New', Architectural Association, London, May 2008.
Changing mortgage consumption patterns amongst Generation Y in Australian cities are marking a shift away from suburban living as the aspiration of the majority, toward apartments and a density marked by urban culture and patterns of living - close to amenity and a sociability in cities.
Renew Newcastle marks the formalisation of a legal, contractual and spatial mechanism for urban Renewal that recognises the temporality of urban transformation.
Finney, T.L. 2012, 'Guest Editorial: Human Capital, Not just a Gender Issue', Architecture Bulletin, vol. -, no. Sept-Oct.
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A guest edited edition of the journal of record from the Australian Institute of Architects addressing why only 20.4% of registered architects in Australia were women in 2011.
Finney, T.L. 2010, 'The Infrastructure of Instability: Afghanistan', Post Traumatic Urbanism: Architectural Design, vol. 80, no. 5, pp. 64-69.
In the insurmountable volatility of the Afghan confl ict, occupying forces build on the structures of previous occupying forces.
Finney, T.L. 2009, 'Review: Challenger Workplace.', Monument Magazine, vol. 89, no. Feb/Mar.
Finney, T.L. 2009, 'Review: Depot Beach House by Stutchbury Pape', Monument Magazine, vol. 90, no. April/May.
Finney, T.L. 2008, 'Robert Moses and the Modern City: The Transformation of New York', Journal of Architecture, vol. 13, no. 4, pp. 515-518.
Finney, T.L. 2006, 'Review: Artificial nature 1: Transcapes, digitally mediated Environments', Architecture Review (AR) Australia, vol. -, no. December.
Other research activity
Finney, T.L. 2012, 'Love Thy Neighbour', Multi-Residential Housing and Changing Cities, Landscape Architecture China, Beijing, pp. 52-57.
This collection of writing links emerging patterns of mortgage consumption with future needs of the city in terms of population growth and climate change. It contributes to critical public thinking around questions of urban density and shifts toward multi-residential housing in Australian cities and is positioned within a catalogue of recent publications within architectural literature that look at the role of multi-residential housing in building cities. Central to this is a tension between issues of collective versus individual use and ownership of apartments raised by shrinking dwelling sizes and the emergence of an enlarged social space in new residential buildings + the management and etiquette for use of which is still to develop. Spanning both reviews of new multi-residential buildings in Sydney along with a commissioned editorial piece Love Thy Neighbour for the Sydney Morning Herald, this collection of writing responds to research released in 2011 by IPSOS showing that for the first time, mortgage consumption patterns amongst Generation Y consumers is shifting. Traditionally Australians associate property ownership with the domestic and `home+ ownership, home being a single family suburban dwelling in which to raise a family. Increasingly however, IPSOS found that Gen Y still want to own property, but now they are just as happy buying an apartment+ which they may or may not live in. This is significance as with the severing of the link between the domestic and property ownership, new opportunities are becoming available to rethink the way we procure, finance and build housing in cities.
CO-ISOLATED was an exhibition of new work by the artists Richard Goodwin, Michael Snape and David Burns. The venue was a 3000m2 industrial shed in an industrially zoned part of southern Sydney. Typically, exhibition curation involves the collecting of work for display driven via the logic of a meta narrative and ideology. CO-ISOLATED moved away from this collectivising drive, using instead the aesthetic affect of the work itself as the common thread. Driven by a curator, with an architectural background, shared with two of the three artists, the impetus was to foreground the relationship between space and materiality in the exhibition of work. The exploration of spatial affects via the installation and performance of the art was critical to the project. Co-isolated takes its name from the philosopher Peter Sloterdijk's reference to a kind of alienation. The question that the exhibition asks is: on what grounds can three very disparate works of art be held together? Co-isolated successfully achieved a curatorial logic based on scale, light and movement via the relationship between an audience, the monumental space of the industrial shed in which it was housed, and through the material and performative presence of the work itself. An accompanying catalogue was produced, containing a critical essay by architectural theorist Adrian Lahoud. The exhibition was also supported by a symposium (Saturday 17 April 2010) including theorists Adam Geczy, Adam Jasper, Adrian Lahoud, the artists and me as curator. The exhibition is also touring to NSW regional galleries in Orange and Maitland (2011/2012).